Figure 9:12. Andō Hiroshige, Suruga-chō (Suruga Street), No. 8 from the series Meisho Edo hyakkei, One Hundred Famous Views of Edo, 1856, woodblock print, 36.3 x 24.1 cm, Library of Congress, Washington DC. You Might Also Like Figure 11:3. Han Gan, Night-Shining White, Tang dynasty c. 750, handscroll, ink on paper, 30.8 x 34 cm (detail), The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 12:8. André Derain Charring Cross Bridge, 1906, oil on canvas, 82 x 101 cm, National Gallery of Art, Washington D. C., U.S.A. January 27, 2026 Figure 9:2. Hei tiki, nineteenth century, pounamu (nephrite jade with abalone inlay), 15.5 x 7.6 cm, The Metropolitan Museum of Art, New York City. Hei tiki pendants were often worn in honour and acknowledgement of figures of one’s whakapapa, or ancestral lineage. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 11:3. Han Gan, Night-Shining White, Tang dynasty c. 750, handscroll, ink on paper, 30.8 x 34 cm (detail), The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 12:8. André Derain Charring Cross Bridge, 1906, oil on canvas, 82 x 101 cm, National Gallery of Art, Washington D. C., U.S.A. January 27, 2026
Figure 9:2. Hei tiki, nineteenth century, pounamu (nephrite jade with abalone inlay), 15.5 x 7.6 cm, The Metropolitan Museum of Art, New York City. Hei tiki pendants were often worn in honour and acknowledgement of figures of one’s whakapapa, or ancestral lineage. January 27, 2026