Figure 9:12. Andō Hiroshige, Suruga-chō (Suruga Street), No. 8 from the series Meisho Edo hyakkei, One Hundred Famous Views of Edo, 1856, woodblock print, 36.3 x 24.1 cm, Library of Congress, Washington DC. You Might Also Like Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 9:14. Suzuki Harunobu, Clear-day Mountain Wind of the Fan, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766,woodblock print on paper, 27.7 x 20.7 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 12:1. Howard Pyle, An Attack on a Galleon, 1905, used in Howard Pyle’s Book of Pirates: Fiction, Fact & Fancy Concerning the Buccaneers & Marooners of the Spanish Main, oil on canvas, 74.9 x 49.5 cm., Delaware Art Museum, Wilmington, Delaware, U.S.A. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 9:14. Suzuki Harunobu, Clear-day Mountain Wind of the Fan, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766,woodblock print on paper, 27.7 x 20.7 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 12:1. Howard Pyle, An Attack on a Galleon, 1905, used in Howard Pyle’s Book of Pirates: Fiction, Fact & Fancy Concerning the Buccaneers & Marooners of the Spanish Main, oil on canvas, 74.9 x 49.5 cm., Delaware Art Museum, Wilmington, Delaware, U.S.A. January 27, 2026