Figure 11:3. Han Gan, Night-Shining White, Tang dynasty c. 750, handscroll, ink on paper, 30.8 x 34 cm (detail), The Metropolitan Museum of Art, New York City. You Might Also Like Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 10:12. Raphael, The Sistine Madonna, 1512–1513, oil on canvas, 269.5 x 201 cm, Gemäldegalerie Alte Meister, Dresden, Germany. January 27, 2026 Figure 9:10. anonymous artist/s (attr. Matilda Leborio), Hawaiian tīvaevae manu quilt, “Ka Ua Kani Lehua” (The Rain that Rustles Lehua Blossoms), 1925–1950, cotton, plain weave, appliquéd and quilted, Honolulu Museum of Art. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 10:12. Raphael, The Sistine Madonna, 1512–1513, oil on canvas, 269.5 x 201 cm, Gemäldegalerie Alte Meister, Dresden, Germany. January 27, 2026
Figure 9:10. anonymous artist/s (attr. Matilda Leborio), Hawaiian tīvaevae manu quilt, “Ka Ua Kani Lehua” (The Rain that Rustles Lehua Blossoms), 1925–1950, cotton, plain weave, appliquéd and quilted, Honolulu Museum of Art. January 27, 2026