Figure 8:8. J. M. W. Turner, RA, Snowstorm – Steamboat off a Harbour’s Mouth (Making Signals in Shallow Water, and taking the Lead), c. 1842, oil on canvas, 91 x 122 cm, Tate Britain, London. You Might Also Like Figure 12:9. Robert Delaunay, L’homme à la Tulipe, 1906, oil on canvas, 73.5 x 48.5 cm, Acàdemie de la Palette, Paris, France. January 27, 2026 Figure 11:8. Liu Chuang, Love Story, 2014, found books, coloured stones, and inscriptions on wall, dimensions variable, image courtesy of Liu Chuang and White Rabbit Collection, Sydney. Photography: Hamish MacIntosh. January 27, 2026 Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 12:9. Robert Delaunay, L’homme à la Tulipe, 1906, oil on canvas, 73.5 x 48.5 cm, Acàdemie de la Palette, Paris, France. January 27, 2026
Figure 11:8. Liu Chuang, Love Story, 2014, found books, coloured stones, and inscriptions on wall, dimensions variable, image courtesy of Liu Chuang and White Rabbit Collection, Sydney. Photography: Hamish MacIntosh. January 27, 2026
Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026