Figure 11:2. Huang Tingjian, Biographies of Lien P’o and Lin Hsiang-ju (detail), c. 1095, handscroll, ink on paper, 33.7 × 1840.2 cm, The Metropolitan Museum of Art, New York City. You Might Also Like Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 9:14. Suzuki Harunobu, Clear-day Mountain Wind of the Fan, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766,woodblock print on paper, 27.7 x 20.7 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 11:14. Wang Jiuliang, Beijing Besieged by Waste – Changxindian township, Fengtai district, 39°52′22″N 116°11′20″E., 2009, digital inkjet print on fine paper, 110 x 220 cm, image courtesy of Wang Jiuliang and White Rabbit Collection, Sydney. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 9:14. Suzuki Harunobu, Clear-day Mountain Wind of the Fan, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766,woodblock print on paper, 27.7 x 20.7 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 11:14. Wang Jiuliang, Beijing Besieged by Waste – Changxindian township, Fengtai district, 39°52′22″N 116°11′20″E., 2009, digital inkjet print on fine paper, 110 x 220 cm, image courtesy of Wang Jiuliang and White Rabbit Collection, Sydney. January 27, 2026