Figure 9:14. Suzuki Harunobu, Clear-day Mountain Wind of the Fan, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766,woodblock print on paper, 27.7 x 20.7 cm, The Metropolitan Museum of Art, New York City. You Might Also Like Figure 11:6. Wáng Gài, page from The Mustard Seed Garden Manual, 1679, woodblock print and colour on paper, 24.4 x 30 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 9:4. Māori people, Te Arawa New Zealand, tekoteko gable figure, 1820s, carved and painted wood, 66 × 28.6 × 8.3 cm., The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 11:6. Wáng Gài, page from The Mustard Seed Garden Manual, 1679, woodblock print and colour on paper, 24.4 x 30 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 9:4. Māori people, Te Arawa New Zealand, tekoteko gable figure, 1820s, carved and painted wood, 66 × 28.6 × 8.3 cm., The Metropolitan Museum of Art, New York City. January 27, 2026