Figure 10:13. Michelangelo, Holy Family with St. John the Baptist, c. 1505–1506, tempera grassa (with added oil) on wood, 120 cm diameter, The Uffizi Gallery, Florence, Italy. You Might Also Like Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 9:2. Hei tiki, nineteenth century, pounamu (nephrite jade with abalone inlay), 15.5 x 7.6 cm, The Metropolitan Museum of Art, New York City. Hei tiki pendants were often worn in honour and acknowledgement of figures of one’s whakapapa, or ancestral lineage. January 27, 2026 Figure 9:15. Suzuki Harunobu, Nurioke no bosetsu, Evening Snow on the Nurioke, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766, woodblock print, 27 x 20.5 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 9:2. Hei tiki, nineteenth century, pounamu (nephrite jade with abalone inlay), 15.5 x 7.6 cm, The Metropolitan Museum of Art, New York City. Hei tiki pendants were often worn in honour and acknowledgement of figures of one’s whakapapa, or ancestral lineage. January 27, 2026
Figure 9:15. Suzuki Harunobu, Nurioke no bosetsu, Evening Snow on the Nurioke, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766, woodblock print, 27 x 20.5 cm, The Metropolitan Museum of Art, New York City. January 27, 2026