Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. You Might Also Like Figure 9:7. artist unknown, Fiji, masi kesa fragment, mid- to late nineteenth century, bark-cloth, pigment, 266.7 x 279.4 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 10:2. Anonymous artist, Medallion with Saint John the Evangelist from an Icon Frame, twelfth century Byzantine, gold, silver, and enamel worked in cloisonne, 8.3 cm in diameter, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 12:12. John William Waterhouse, The Lady of Shalott, 1888, oil on canvas, 183 x 230 cm, Tate Britain, London, England. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 9:7. artist unknown, Fiji, masi kesa fragment, mid- to late nineteenth century, bark-cloth, pigment, 266.7 x 279.4 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 10:2. Anonymous artist, Medallion with Saint John the Evangelist from an Icon Frame, twelfth century Byzantine, gold, silver, and enamel worked in cloisonne, 8.3 cm in diameter, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 12:12. John William Waterhouse, The Lady of Shalott, 1888, oil on canvas, 183 x 230 cm, Tate Britain, London, England. January 27, 2026