Figure 10:2. Anonymous artist, Medallion with Saint John the Evangelist from an Icon Frame, twelfth century Byzantine, gold, silver, and enamel worked in cloisonne, 8.3 cm in diameter, The Metropolitan Museum of Art, New York City. You Might Also Like Figure 12:6. Egon Schiele, Seated Woman with Bent Knee, 1917, watercolour, gouache, and black crayon on paper, 46 x 30.5 cm, National Gallery, Prague, Czech Republic. January 27, 2026 Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 10:6. Giotto do Bondone, Adoration of the Magi, from the series Scenes from the Life of Christ, 1304–1306, fresco, 200 x 185 cm, Scrovegni Chapel (Arena Chapel), Padua. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 12:6. Egon Schiele, Seated Woman with Bent Knee, 1917, watercolour, gouache, and black crayon on paper, 46 x 30.5 cm, National Gallery, Prague, Czech Republic. January 27, 2026
Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 10:6. Giotto do Bondone, Adoration of the Magi, from the series Scenes from the Life of Christ, 1304–1306, fresco, 200 x 185 cm, Scrovegni Chapel (Arena Chapel), Padua. January 27, 2026