Figure 10:2. Anonymous artist, Medallion with Saint John the Evangelist from an Icon Frame, twelfth century Byzantine, gold, silver, and enamel worked in cloisonne, 8.3 cm in diameter, The Metropolitan Museum of Art, New York City. You Might Also Like Figure 10:13. Michelangelo, Holy Family with St. John the Baptist, c. 1505–1506, tempera grassa (with added oil) on wood, 120 cm diameter, The Uffizi Gallery, Florence, Italy. January 27, 2026 Figure 11:6. Wáng Gài, page from The Mustard Seed Garden Manual, 1679, woodblock print and colour on paper, 24.4 x 30 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 8:6. Kitao Masanobu (aka Santō Kyōden), A New Record Comparing the Handwriting of the Courtesans of the Yoshiwara (Yoshiwara keisei shin bijin jihitsu kagami), 1784, early spring, woodblock printed book illustration, 38 × 26 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 10:13. Michelangelo, Holy Family with St. John the Baptist, c. 1505–1506, tempera grassa (with added oil) on wood, 120 cm diameter, The Uffizi Gallery, Florence, Italy. January 27, 2026
Figure 11:6. Wáng Gài, page from The Mustard Seed Garden Manual, 1679, woodblock print and colour on paper, 24.4 x 30 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 8:6. Kitao Masanobu (aka Santō Kyōden), A New Record Comparing the Handwriting of the Courtesans of the Yoshiwara (Yoshiwara keisei shin bijin jihitsu kagami), 1784, early spring, woodblock printed book illustration, 38 × 26 cm, The Metropolitan Museum of Art, New York City. January 27, 2026