Figure 12:12. John William Waterhouse, The Lady of Shalott, 1888, oil on canvas, 183 x 230 cm, Tate Britain, London, England. You Might Also Like Figure 8:6. Kitao Masanobu (aka Santō Kyōden), A New Record Comparing the Handwriting of the Courtesans of the Yoshiwara (Yoshiwara keisei shin bijin jihitsu kagami), 1784, early spring, woodblock printed book illustration, 38 × 26 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 10:11. Leonardo da Vinci, The Virgin of the Rocks, c. 1483–1486, oil on panel, 199 x 122 cm, Musée Louvre, Paris. January 27, 2026 Figure 10:15. Doménikos Theotokópoulos (El Greco), The Adoration of the Shepherds, 1605–1610, oil on canvas, 144.5 x 101.3 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 8:6. Kitao Masanobu (aka Santō Kyōden), A New Record Comparing the Handwriting of the Courtesans of the Yoshiwara (Yoshiwara keisei shin bijin jihitsu kagami), 1784, early spring, woodblock printed book illustration, 38 × 26 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 10:11. Leonardo da Vinci, The Virgin of the Rocks, c. 1483–1486, oil on panel, 199 x 122 cm, Musée Louvre, Paris. January 27, 2026
Figure 10:15. Doménikos Theotokópoulos (El Greco), The Adoration of the Shepherds, 1605–1610, oil on canvas, 144.5 x 101.3 cm, The Metropolitan Museum of Art, New York City. January 27, 2026