Figure 10:10. Raphael Sanzio da Urbino, The School of Athens, 1509–1511, fresco, 550 x 770 cm, Stanza della Segnatura, The Vatican, Vatican City, Italy. You Might Also Like Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 11:6. Wáng Gài, page from The Mustard Seed Garden Manual, 1679, woodblock print and colour on paper, 24.4 x 30 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 10:8. Petrus Christus, A Goldsmith in his Shop, 1449, oil on oak panel, 100.1 x 85.8 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 11:6. Wáng Gài, page from The Mustard Seed Garden Manual, 1679, woodblock print and colour on paper, 24.4 x 30 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 10:8. Petrus Christus, A Goldsmith in his Shop, 1449, oil on oak panel, 100.1 x 85.8 cm, The Metropolitan Museum of Art, New York City. January 27, 2026