Figure 11:3. Han Gan, Night-Shining White, Tang dynasty c. 750, handscroll, ink on paper, 30.8 x 34 cm (detail), The Metropolitan Museum of Art, New York City.
Figure 11:4. Ma Yuan, Scholar Viewing a Waterfall, Southern Song dynasty, late 12th–early 13th century, ink and colour on silk, 25.1 x 26 cm, The Metropolitan Museum of Art, New York City.
Figure 11:5. Wu Li, Travelers among Streams and Mountains, c. 1670s, hanging scroll, ink on paper, 59.1 x 27 cm, The Metropolitan Museum of Art, New York City.
Figure 11:6. Wáng Gài, page from The Mustard Seed Garden Manual, 1679, woodblock print and colour on paper, 24.4 x 30 cm, The Metropolitan Museum of Art, New York City.
A man and a horse were a pair of unwavering, silent companions weathering through a landscape that abstractly reflected the storms of the mind. Figure 11:7. Jennifer Wen Ma, Brain Storm, 2009, video animation, 10 min 40 sec (video still), image courtesy of Jennifer Wen Ma and White Rabbit Collection, Sydney.
Figure 11:8. Liu Chuang, Love Story, 2014, found books, coloured stones, and inscriptions on wall, dimensions variable, image courtesy of Liu Chuang and White Rabbit Collection, Sydney. Photography: Hamish MacIntosh.
Figure 11:9. Liu Chuang, Love Story, 2014, image courtesy of Liu Chuang and White Rabbit Collection, Sydney. Photography: Hamish MacIntosh.
Figure 11:10. Li Lang, Father’s 1927.12.03 – 2010.08.27, Father’s Pension: 32,136 RMB. 2010–2013, archival pigment print with pencil handwriting, 106.6 x 108 cm, image courtesy of Li Lang and White Rabbit Collection, Sydney.
Figure 11:11. Ai Weiwei, Sunflower Seeds, 2009, porcelain, weight approx. 500kg, installed approx. 150-160 cm, diameter, courtesy of Ai Weiwei and White Rabbit Collection, Sydney.
Figure 11:12. Ai Weiwei, Sunflower Seeds, 2009, image courtesy of Ai Weiwei and White Rabbit Collection, Sydney.
