Figure 11:10. Li Lang, Father’s 1927.12.03 – 2010.08.27, Father’s Pension: 32,136 RMB. 2010–2013, archival pigment print with pencil handwriting, 106.6 x 108 cm, image courtesy of Li Lang and White Rabbit Collection, Sydney. You Might Also Like Figure 9:14. Suzuki Harunobu, Clear-day Mountain Wind of the Fan, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766,woodblock print on paper, 27.7 x 20.7 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 9:2. Hei tiki, nineteenth century, pounamu (nephrite jade with abalone inlay), 15.5 x 7.6 cm, The Metropolitan Museum of Art, New York City. Hei tiki pendants were often worn in honour and acknowledgement of figures of one’s whakapapa, or ancestral lineage. January 27, 2026 Figure 10:4. Duccio di Buoninsegna, Madonna and Child, 1290–1300, tempera and gold on wood, 27.9 x 21 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 9:14. Suzuki Harunobu, Clear-day Mountain Wind of the Fan, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766,woodblock print on paper, 27.7 x 20.7 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 9:2. Hei tiki, nineteenth century, pounamu (nephrite jade with abalone inlay), 15.5 x 7.6 cm, The Metropolitan Museum of Art, New York City. Hei tiki pendants were often worn in honour and acknowledgement of figures of one’s whakapapa, or ancestral lineage. January 27, 2026
Figure 10:4. Duccio di Buoninsegna, Madonna and Child, 1290–1300, tempera and gold on wood, 27.9 x 21 cm, The Metropolitan Museum of Art, New York City. January 27, 2026