Figure 11:9. Liu Chuang, Love Story, 2014, image courtesy of Liu Chuang and White Rabbit Collection, Sydney. Photography: Hamish MacIntosh. You Might Also Like Figure 8:8. J. M. W. Turner, RA, Snowstorm – Steamboat off a Harbour’s Mouth (Making Signals in Shallow Water, and taking the Lead), c. 1842, oil on canvas, 91 x 122 cm, Tate Britain, London. January 27, 2026 Figure 11:14. Wang Jiuliang, Beijing Besieged by Waste – Changxindian township, Fengtai district, 39°52′22″N 116°11′20″E., 2009, digital inkjet print on fine paper, 110 x 220 cm, image courtesy of Wang Jiuliang and White Rabbit Collection, Sydney. January 27, 2026 Figure 9:15. Suzuki Harunobu, Nurioke no bosetsu, Evening Snow on the Nurioke, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766, woodblock print, 27 x 20.5 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 8:8. J. M. W. Turner, RA, Snowstorm – Steamboat off a Harbour’s Mouth (Making Signals in Shallow Water, and taking the Lead), c. 1842, oil on canvas, 91 x 122 cm, Tate Britain, London. January 27, 2026
Figure 11:14. Wang Jiuliang, Beijing Besieged by Waste – Changxindian township, Fengtai district, 39°52′22″N 116°11′20″E., 2009, digital inkjet print on fine paper, 110 x 220 cm, image courtesy of Wang Jiuliang and White Rabbit Collection, Sydney. January 27, 2026
Figure 9:15. Suzuki Harunobu, Nurioke no bosetsu, Evening Snow on the Nurioke, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766, woodblock print, 27 x 20.5 cm, The Metropolitan Museum of Art, New York City. January 27, 2026