Figure 10:13. Michelangelo, Holy Family with St. John the Baptist, c. 1505–1506, tempera grassa (with added oil) on wood, 120 cm diameter, The Uffizi Gallery, Florence, Italy. You Might Also Like Figure 11:15. Yang Yongliang, Infinite Landscape, 2011, video and sound animation, 7 min 23 sec, image courtesy of Yang Yongliang and White Rabbit Collection, Sydney. January 27, 2026 Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 11:3. Han Gan, Night-Shining White, Tang dynasty c. 750, handscroll, ink on paper, 30.8 x 34 cm (detail), The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 11:15. Yang Yongliang, Infinite Landscape, 2011, video and sound animation, 7 min 23 sec, image courtesy of Yang Yongliang and White Rabbit Collection, Sydney. January 27, 2026
Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 11:3. Han Gan, Night-Shining White, Tang dynasty c. 750, handscroll, ink on paper, 30.8 x 34 cm (detail), The Metropolitan Museum of Art, New York City. January 27, 2026