Figure 10:7. Masaccio, The Tribute Money (Coin in the Fish’s Mouth), 1424–1428, fresco, 255 x 598 cm, Brancacci Chapel, Santa Maria del Carmine, Florence. You Might Also Like Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 12:12. John William Waterhouse, The Lady of Shalott, 1888, oil on canvas, 183 x 230 cm, Tate Britain, London, England. January 27, 2026 Figure 9:10. anonymous artist/s (attr. Matilda Leborio), Hawaiian tīvaevae manu quilt, “Ka Ua Kani Lehua” (The Rain that Rustles Lehua Blossoms), 1925–1950, cotton, plain weave, appliquéd and quilted, Honolulu Museum of Art. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 12:12. John William Waterhouse, The Lady of Shalott, 1888, oil on canvas, 183 x 230 cm, Tate Britain, London, England. January 27, 2026
Figure 9:10. anonymous artist/s (attr. Matilda Leborio), Hawaiian tīvaevae manu quilt, “Ka Ua Kani Lehua” (The Rain that Rustles Lehua Blossoms), 1925–1950, cotton, plain weave, appliquéd and quilted, Honolulu Museum of Art. January 27, 2026