Figure 10:6. Giotto do Bondone, Adoration of the Magi, from the series Scenes from the Life of Christ, 1304–1306, fresco, 200 x 185 cm, Scrovegni Chapel (Arena Chapel), Padua. You Might Also Like Figure 10:2. Anonymous artist, Medallion with Saint John the Evangelist from an Icon Frame, twelfth century Byzantine, gold, silver, and enamel worked in cloisonne, 8.3 cm in diameter, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 12:11. William Holman Hunt, Strayed Sheep, also known as Our English Coasts, 1852, oil on canvas, 43.2 x 58.4 cm, Tate Britain, London, England. January 27, 2026 Figure 8:6. Kitao Masanobu (aka Santō Kyōden), A New Record Comparing the Handwriting of the Courtesans of the Yoshiwara (Yoshiwara keisei shin bijin jihitsu kagami), 1784, early spring, woodblock printed book illustration, 38 × 26 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 10:2. Anonymous artist, Medallion with Saint John the Evangelist from an Icon Frame, twelfth century Byzantine, gold, silver, and enamel worked in cloisonne, 8.3 cm in diameter, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 12:11. William Holman Hunt, Strayed Sheep, also known as Our English Coasts, 1852, oil on canvas, 43.2 x 58.4 cm, Tate Britain, London, England. January 27, 2026
Figure 8:6. Kitao Masanobu (aka Santō Kyōden), A New Record Comparing the Handwriting of the Courtesans of the Yoshiwara (Yoshiwara keisei shin bijin jihitsu kagami), 1784, early spring, woodblock printed book illustration, 38 × 26 cm, The Metropolitan Museum of Art, New York City. January 27, 2026