Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. You Might Also Like Figure 9:4. Māori people, Te Arawa New Zealand, tekoteko gable figure, 1820s, carved and painted wood, 66 × 28.6 × 8.3 cm., The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 11:13. Bu Hua, Beauty No. 3., 2008, pigmented inkjet print, 100 x 100 cm, image courtesy of Bu Hua and White Rabbit Collection, Sydney, Australia. January 27, 2026 Figure 8:2. Anders Zorn, Our Daily Bread (Vårt dagliga bröd), 1886, watercolour on paper, 68 x 102 cm, Nationalmuseum, Stockholm, Sweden. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 9:4. Māori people, Te Arawa New Zealand, tekoteko gable figure, 1820s, carved and painted wood, 66 × 28.6 × 8.3 cm., The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 11:13. Bu Hua, Beauty No. 3., 2008, pigmented inkjet print, 100 x 100 cm, image courtesy of Bu Hua and White Rabbit Collection, Sydney, Australia. January 27, 2026
Figure 8:2. Anders Zorn, Our Daily Bread (Vårt dagliga bröd), 1886, watercolour on paper, 68 x 102 cm, Nationalmuseum, Stockholm, Sweden. January 27, 2026