Figure 9:10. anonymous artist/s (attr. Matilda Leborio), Hawaiian tīvaevae manu quilt, “Ka Ua Kani Lehua” (The Rain that Rustles Lehua Blossoms), 1925–1950, cotton, plain weave, appliquéd and quilted, Honolulu Museum of Art. You Might Also Like Figure 9:14. Suzuki Harunobu, Clear-day Mountain Wind of the Fan, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766,woodblock print on paper, 27.7 x 20.7 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 11:10. Li Lang, Father’s 1927.12.03 – 2010.08.27, Father’s Pension: 32,136 RMB. 2010–2013, archival pigment print with pencil handwriting, 106.6 x 108 cm, image courtesy of Li Lang and White Rabbit Collection, Sydney. January 27, 2026 Figure 11:14. Wang Jiuliang, Beijing Besieged by Waste – Changxindian township, Fengtai district, 39°52′22″N 116°11′20″E., 2009, digital inkjet print on fine paper, 110 x 220 cm, image courtesy of Wang Jiuliang and White Rabbit Collection, Sydney. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 9:14. Suzuki Harunobu, Clear-day Mountain Wind of the Fan, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766,woodblock print on paper, 27.7 x 20.7 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 11:10. Li Lang, Father’s 1927.12.03 – 2010.08.27, Father’s Pension: 32,136 RMB. 2010–2013, archival pigment print with pencil handwriting, 106.6 x 108 cm, image courtesy of Li Lang and White Rabbit Collection, Sydney. January 27, 2026
Figure 11:14. Wang Jiuliang, Beijing Besieged by Waste – Changxindian township, Fengtai district, 39°52′22″N 116°11′20″E., 2009, digital inkjet print on fine paper, 110 x 220 cm, image courtesy of Wang Jiuliang and White Rabbit Collection, Sydney. January 27, 2026