Figure 9:6. maker/s unknown, Fiji, Wedding masi (Gatu Vakaviti), nineteenth century, tapa bark cloth, 462.3 x 369.6 cm, gift of Patricia Manney and Eric Gruendemann, Los Angeles County Museum of Art. You Might Also Like Figure 11:6. Wáng Gài, page from The Mustard Seed Garden Manual, 1679, woodblock print and colour on paper, 24.4 x 30 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 11:3. Han Gan, Night-Shining White, Tang dynasty c. 750, handscroll, ink on paper, 30.8 x 34 cm (detail), The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 9:15. Suzuki Harunobu, Nurioke no bosetsu, Evening Snow on the Nurioke, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766, woodblock print, 27 x 20.5 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 11:6. Wáng Gài, page from The Mustard Seed Garden Manual, 1679, woodblock print and colour on paper, 24.4 x 30 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 11:3. Han Gan, Night-Shining White, Tang dynasty c. 750, handscroll, ink on paper, 30.8 x 34 cm (detail), The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 9:15. Suzuki Harunobu, Nurioke no bosetsu, Evening Snow on the Nurioke, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766, woodblock print, 27 x 20.5 cm, The Metropolitan Museum of Art, New York City. January 27, 2026