Figure 8:7. J. M. W. Turner, RA, Venice, The Mouth of the Grand Canal, 1834/1840, watercolour over pencil on paper, 22.2 x 31.8 cm, Yale Center for British Art, Paul Mellon Collection. You Might Also Like Figure 9:5. Artist unknown, Siapo mamanu, 1890s, tapa bark cloth and painted pigment, 137 x 127 cm., Museum of New Zealand Te Papa Tongarewa FE000825. January 27, 2026 Figure 11:8. Liu Chuang, Love Story, 2014, found books, coloured stones, and inscriptions on wall, dimensions variable, image courtesy of Liu Chuang and White Rabbit Collection, Sydney. Photography: Hamish MacIntosh. January 27, 2026 Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 9:5. Artist unknown, Siapo mamanu, 1890s, tapa bark cloth and painted pigment, 137 x 127 cm., Museum of New Zealand Te Papa Tongarewa FE000825. January 27, 2026
Figure 11:8. Liu Chuang, Love Story, 2014, found books, coloured stones, and inscriptions on wall, dimensions variable, image courtesy of Liu Chuang and White Rabbit Collection, Sydney. Photography: Hamish MacIntosh. January 27, 2026
Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026