Figure 8:3. Fra Filippo Lippi, Portrait of a Woman with a Man at a Casement, c. 1440–1444, tempera on wood, 64.1 x 41.9 cm, The Metropolitan Museum of Art, New York City. You Might Also Like Figure 11:10. Li Lang, Father’s 1927.12.03 – 2010.08.27, Father’s Pension: 32,136 RMB. 2010–2013, archival pigment print with pencil handwriting, 106.6 x 108 cm, image courtesy of Li Lang and White Rabbit Collection, Sydney. January 27, 2026 Figure 9:15. Suzuki Harunobu, Nurioke no bosetsu, Evening Snow on the Nurioke, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766, woodblock print, 27 x 20.5 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 11:10. Li Lang, Father’s 1927.12.03 – 2010.08.27, Father’s Pension: 32,136 RMB. 2010–2013, archival pigment print with pencil handwriting, 106.6 x 108 cm, image courtesy of Li Lang and White Rabbit Collection, Sydney. January 27, 2026
Figure 9:15. Suzuki Harunobu, Nurioke no bosetsu, Evening Snow on the Nurioke, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766, woodblock print, 27 x 20.5 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026