Figure 10:7. Masaccio, The Tribute Money (Coin in the Fish’s Mouth), 1424–1428, fresco, 255 x 598 cm, Brancacci Chapel, Santa Maria del Carmine, Florence. You Might Also Like Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 10:1. Anonymous artist, Christ Pantocrator, sixth century, 84 x 45.5 cm, encaustic (pigments bound in hot wax) on wooden panel, St. Catherine’s Monastery at Sinai, Egypt. January 27, 2026 Figure 12:8. André Derain Charring Cross Bridge, 1906, oil on canvas, 82 x 101 cm, National Gallery of Art, Washington D. C., U.S.A. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 10:1. Anonymous artist, Christ Pantocrator, sixth century, 84 x 45.5 cm, encaustic (pigments bound in hot wax) on wooden panel, St. Catherine’s Monastery at Sinai, Egypt. January 27, 2026
Figure 12:8. André Derain Charring Cross Bridge, 1906, oil on canvas, 82 x 101 cm, National Gallery of Art, Washington D. C., U.S.A. January 27, 2026