Figure 11:13. Bu Hua, Beauty No. 3., 2008, pigmented inkjet print, 100 x 100 cm, image courtesy of Bu Hua and White Rabbit Collection, Sydney, Australia.
Figure 11:14. Wang Jiuliang, Beijing Besieged by Waste – Changxindian township, Fengtai district, 39°52′22″N 116°11′20″E., 2009, digital inkjet print on fine paper, 110 x 220 cm, image courtesy of Wang Jiuliang and White Rabbit Collection, Sydney.
Figure 11:15. Yang Yongliang, Infinite Landscape, 2011, video and sound animation, 7 min 23 sec, image courtesy of Yang Yongliang and White Rabbit Collection, Sydney.
Figure 12:1. Howard Pyle, An Attack on a Galleon, 1905, used in Howard Pyle’s Book of Pirates: Fiction, Fact & Fancy Concerning the Buccaneers & Marooners of the Spanish Main, oil on canvas, 74.9 x 49.5 cm., Delaware Art Museum, Wilmington, Delaware, U.S.A.
Figure 12:2. N. C. Wyeth, “One more step, Mr. Hands,” said I, “and I’ll blow your brains out.” 1911, oil on canvas, 119.4 x 97.5 cm, (illustration for Treasure Island by Robert Louis Stevenson), New Britain Museum of American Art, New Britain, Connecticut, U.S.A.
Figure 12:3. Ethel Franklin Betts, The May Day Number, 1903, cover art for The Saturday Evening Post, May 2, 1903. (Wikimedia Commons).
Figure 12:4. Gustav Klimt, The Kiss, 1907–1908, oil and gold leaf on canvas, 180 x 180 cm, Austrian Gallery, Upper Belvedere Palace, Belvedere, Vienna, Austria.
Figure 12:5. Koloman Moser, Poster for the XIII Secessionist Exhibition, 1902, colour lithograph, 183.5 x 63.3 cm., Wikimedia Commons.
Figure 12:6. Egon Schiele, Seated Woman with Bent Knee, 1917, watercolour, gouache, and black crayon on paper, 46 x 30.5 cm, National Gallery, Prague, Czech Republic.
Figure 12:7. Paul Sérusier, The Talisman, 1888, oil on wood, 27 x 21.5 cm, Musée d’Orsay, Paris, France.
