Figure 12:8. André Derain Charring Cross Bridge, 1906, oil on canvas, 82 x 101 cm, National Gallery of Art, Washington D. C., U.S.A. You Might Also Like Figure 9:13. Utagawa Toyokuni I, The Actor Ōtani Tomoemon II in the Role of Ono Sadakurō, from the series Yakusha butai no sugatae, Pictures of Actors on Stage, c. 1795, woodblock print, 37.8 cm x 24.8 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 12:12. John William Waterhouse, The Lady of Shalott, 1888, oil on canvas, 183 x 230 cm, Tate Britain, London, England. January 27, 2026 Figure 9:2. Hei tiki, nineteenth century, pounamu (nephrite jade with abalone inlay), 15.5 x 7.6 cm, The Metropolitan Museum of Art, New York City. Hei tiki pendants were often worn in honour and acknowledgement of figures of one’s whakapapa, or ancestral lineage. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 9:13. Utagawa Toyokuni I, The Actor Ōtani Tomoemon II in the Role of Ono Sadakurō, from the series Yakusha butai no sugatae, Pictures of Actors on Stage, c. 1795, woodblock print, 37.8 cm x 24.8 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 12:12. John William Waterhouse, The Lady of Shalott, 1888, oil on canvas, 183 x 230 cm, Tate Britain, London, England. January 27, 2026
Figure 9:2. Hei tiki, nineteenth century, pounamu (nephrite jade with abalone inlay), 15.5 x 7.6 cm, The Metropolitan Museum of Art, New York City. Hei tiki pendants were often worn in honour and acknowledgement of figures of one’s whakapapa, or ancestral lineage. January 27, 2026