Figure 12:7. Paul Sérusier, The Talisman, 1888, oil on wood, 27 x 21.5 cm, Musée d’Orsay, Paris, France. You Might Also Like Figure 11:8. Liu Chuang, Love Story, 2014, found books, coloured stones, and inscriptions on wall, dimensions variable, image courtesy of Liu Chuang and White Rabbit Collection, Sydney. Photography: Hamish MacIntosh. January 27, 2026 Figure 9:2. Hei tiki, nineteenth century, pounamu (nephrite jade with abalone inlay), 15.5 x 7.6 cm, The Metropolitan Museum of Art, New York City. Hei tiki pendants were often worn in honour and acknowledgement of figures of one’s whakapapa, or ancestral lineage. January 27, 2026 Figure 9:14. Suzuki Harunobu, Clear-day Mountain Wind of the Fan, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766,woodblock print on paper, 27.7 x 20.7 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 11:8. Liu Chuang, Love Story, 2014, found books, coloured stones, and inscriptions on wall, dimensions variable, image courtesy of Liu Chuang and White Rabbit Collection, Sydney. Photography: Hamish MacIntosh. January 27, 2026
Figure 9:2. Hei tiki, nineteenth century, pounamu (nephrite jade with abalone inlay), 15.5 x 7.6 cm, The Metropolitan Museum of Art, New York City. Hei tiki pendants were often worn in honour and acknowledgement of figures of one’s whakapapa, or ancestral lineage. January 27, 2026
Figure 9:14. Suzuki Harunobu, Clear-day Mountain Wind of the Fan, from the series Zashiki hakkei, Eight Views of the Parlour, c. 1766,woodblock print on paper, 27.7 x 20.7 cm, The Metropolitan Museum of Art, New York City. January 27, 2026