Figure 12:4. Gustav Klimt, The Kiss, 1907–1908, oil and gold leaf on canvas, 180 x 180 cm, Austrian Gallery, Upper Belvedere Palace, Belvedere, Vienna, Austria. You Might Also Like Figure 10:5. Cimabue, Madonna and Child Enthroned (Maestà – Majesty), 1280–c. 1285, tempera on wooden panel, 223 x 385 cm, Uffizi Gallery, Florence, Italy. January 27, 2026 Figure 8:3. Fra Filippo Lippi, Portrait of a Woman with a Man at a Casement, c. 1440–1444, tempera on wood, 64.1 x 41.9 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 10:5. Cimabue, Madonna and Child Enthroned (Maestà – Majesty), 1280–c. 1285, tempera on wooden panel, 223 x 385 cm, Uffizi Gallery, Florence, Italy. January 27, 2026
Figure 8:3. Fra Filippo Lippi, Portrait of a Woman with a Man at a Casement, c. 1440–1444, tempera on wood, 64.1 x 41.9 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026