Figure 11:13. Bu Hua, Beauty No. 3., 2008, pigmented inkjet print, 100 x 100 cm, image courtesy of Bu Hua and White Rabbit Collection, Sydney, Australia. You Might Also Like Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 12:5. Koloman Moser, Poster for the XIII Secessionist Exhibition, 1902, colour lithograph, 183.5 x 63.3 cm., Wikimedia Commons. January 27, 2026 Figure 10:11. Leonardo da Vinci, The Virgin of the Rocks, c. 1483–1486, oil on panel, 199 x 122 cm, Musée Louvre, Paris. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 12:5. Koloman Moser, Poster for the XIII Secessionist Exhibition, 1902, colour lithograph, 183.5 x 63.3 cm., Wikimedia Commons. January 27, 2026
Figure 10:11. Leonardo da Vinci, The Virgin of the Rocks, c. 1483–1486, oil on panel, 199 x 122 cm, Musée Louvre, Paris. January 27, 2026