Figure 10:4. Duccio di Buoninsegna, Madonna and Child, 1290–1300, tempera and gold on wood, 27.9 x 21 cm, The Metropolitan Museum of Art, New York City. You Might Also Like Figure 12:7. Paul Sérusier, The Talisman, 1888, oil on wood, 27 x 21.5 cm, Musée d’Orsay, Paris, France. January 27, 2026 Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 11:8. Liu Chuang, Love Story, 2014, found books, coloured stones, and inscriptions on wall, dimensions variable, image courtesy of Liu Chuang and White Rabbit Collection, Sydney. Photography: Hamish MacIntosh. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 12:7. Paul Sérusier, The Talisman, 1888, oil on wood, 27 x 21.5 cm, Musée d’Orsay, Paris, France. January 27, 2026
Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 11:8. Liu Chuang, Love Story, 2014, found books, coloured stones, and inscriptions on wall, dimensions variable, image courtesy of Liu Chuang and White Rabbit Collection, Sydney. Photography: Hamish MacIntosh. January 27, 2026