Figure 9:9. Aotearoa New Zealand Māori people, Kaitaka aronui, cloak, mid-19th century, flax, wool, 113.7 × 172.7 cm, The Metropolitan Museum of Art, New York City. You Might Also Like Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026 Figure 12:2. N. C. Wyeth, “One more step, Mr. Hands,” said I, “and I’ll blow your brains out.” 1911, oil on canvas, 119.4 x 97.5 cm, (illustration for Treasure Island by Robert Louis Stevenson), New Britain Museum of American Art, New Britain, Connecticut, U.S.A. January 27, 2026 Leave a Reply Cancel reply Save my name, email, and website in this browser for the next time I comment.
Figure 8:5. Chōbunshai Eishi, The Courtesan Hanaōgi of the Ōgiya Brothel (Ōgiya Hanaōgi), from the series Beauties of the Pleasure Quarters as Six Floral Immortals (Seirō bijin rokkasen), publisher Eijudo; c. 1794, polychrome woodblock print (nishiki-e), 37 × 25.1 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 9:11. Utagawa Hiroshige, Goyu-shuku, Tabibito ryujo, from the series Tōkaidō gojūsan tsugi no uchi, The Fifty-three Stations of the Tōkaidō Road, 1833–34, woodblock print, 24.1 x 35.6 cm, The Metropolitan Museum of Art, New York City. January 27, 2026
Figure 12:2. N. C. Wyeth, “One more step, Mr. Hands,” said I, “and I’ll blow your brains out.” 1911, oil on canvas, 119.4 x 97.5 cm, (illustration for Treasure Island by Robert Louis Stevenson), New Britain Museum of American Art, New Britain, Connecticut, U.S.A. January 27, 2026